000 | 02842nam a22003857a 4500 | ||
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999 |
_c176105 _d176105 |
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003 | LDD | ||
005 | 20200203121459.0 | ||
008 | 200203b ||||| |||| 00| 0 eng d | ||
020 | _a9781784992545 | ||
040 | _cIGNOU Library | ||
050 | 0 | 0 |
_aNX575.8 _b.P38 2017 |
082 | 0 | 4 |
_a709.54 P272P _223 |
100 | 1 |
_aPatel, Alpesh Kantilal, _eauthor. _98264 |
|
245 | 1 | 0 |
_aProductive failure : _bwriting queer transnational South Asian art histories / _cAlpesh Kantilal Patel. |
260 |
_aManchester : _bManchester University Press, _c2017. |
||
300 |
_axxii, 250 pages, 16 unnumbered pages of plates : _billustrations (some color) ; _c25 cm |
||
490 | 1 | _aRethinking art's histories | |
504 | _aIncludes bibliographical references (pages 215-239) and index. | ||
505 | 0 | _aIntroduction: towards creolizing transnational South Asian art histories -- Authorship: Anish Kapoor as British/Asian/artist -- Form: queer zen -- Subject matter: writing as a racial pharmakon -- Space/site: writing queer feminist transnational South Asian art histories -- 'Practice-led': producing art, producing art history -- Affect belonging. | |
520 | 8 | _aThis monograph sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' - specifically, by not upholding the strictly genealogical approach that is regularly assumed for South Asian art histories. For instance, one chapter explores the abstract work of Cy Twombly and Natvar Bhavsar. I also examine 'whiteness', the invisible ground upon which racialized art histories often pivot, as a fraught yet productive site for writing art history. As the book progresses, art historical 'writing' includes a range of practice-led forms, such as curating exhibitions or my affective engagement with visual culture. Overall, I suggest methods for generating art history that acknowledge the complex web of factors within which art history is produced and the different forms of knowledge-production we might count as art history. | |
650 | 0 |
_aArt _zSouth Asia _xHistory. _911453 |
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650 | 0 |
_aArt _xHistoriography. _911454 |
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650 | 0 |
_aArt and race. _911455 |
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650 | 0 |
_aHomosexuality and art. _911456 |
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650 | 0 |
_aQueer theory. _98006 |
|
650 | 7 |
_aArt. _2fast _0(OCoLC)fst00815177 _911457 |
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650 | 7 |
_aArt and race. _2fast _0(OCoLC)fst00815423 _911455 |
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650 | 7 |
_aArt _xHistoriography. _2fast _0(OCoLC)fst00815259 _911454 |
|
650 | 7 |
_aHomosexuality and art. _2fast _0(OCoLC)fst00959813 _911456 |
|
650 | 7 |
_aQueer theory. _2fast _0(OCoLC)fst01739572 _98006 |
|
651 | 7 |
_aSouth Asia. _2fast _0(OCoLC)fst01244520 _911458 |
|
655 | 7 |
_aHistory. _2fast _0(OCoLC)fst01411628 _9221 |
|
830 | 0 |
_aRethinking art's histories. _93214 |
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942 |
_2ddc _cBK |