| 000 | 02774cam a22004577i 4500 | ||
|---|---|---|---|
| 999 |
_c175902 _d175902 |
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| 001 | 19939195 | ||
| 003 | LDD | ||
| 005 | 20190326120520.0 | ||
| 008 | 170822t20172017enka b 001 0 eng d | ||
| 010 | _a 2016439969 | ||
| 020 |
_a9781784992750 _q(hardback) |
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| 020 |
_a1784992755 _q(hardback) |
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| 020 |
_a9781784992767 _q(paperback) |
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| 020 |
_a1784992763 _q(paperback) |
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| 035 | _a(OCoLC)ocn974858702 | ||
| 040 |
_aERASA _beng _cERASA _erda _dOCLCO _dCDX _dYDX _dOCLCF _dDLC |
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| 042 | _alccopycat | ||
| 043 | _an-us--- | ||
| 050 | 0 | 0 |
_aN6512.5.C64 _bS53 2017 |
| 082 | 0 | 4 |
_a709.04075 S527S _223 |
| 100 | 1 |
_aShaked, Nizan, _eauthor. _93209 |
|
| 245 | 1 | 4 |
_aThe synthetic proposition : _bconceptualism and the political referent in contemporary art / _cNizan Shaked. |
| 264 | 1 |
_aManchester : _bManchester University Press, _c[2017] |
|
| 264 | 4 | _c©2017 | |
| 300 |
_axiii, 266 pages : _billustrations (chiefly color) ; _c24 cm. |
||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 1 | _aRethinking Art's Histories | |
| 504 | _aIncludes bibliographical references (pages 242-259) and index. | ||
| 520 | 8 | _aThe synthetic proposition examines the impact of Civil Rights, Black Power, the student, feminist and sexual-liberty movements on conceptualism and its legacies in the United States between the late 1960s and the 1990s. It focuses on the turn to political reference in practices originally concerned with abstract ideas, as articulated by Joseph Kosuth, and traces key strategies in contemporary art to the reciprocal influences of conceptualism and identity politics: movements that have so far been historicised as mutually exclusive. The book demonstrates that while identity-based strategies were particular, their impact spread far beyond the individuals or communities that originated them. It offers a study of Adrian Piper, David Hammons, Renee Green, Mary Kelly, Martha Rosler, Silvia Kolbowski, Daniel Joseph Martinez, Lorna Simpson, Hans Haacke, Andrea Fraser and Charles Gaines. By turning to social issues, these artists analysed the conventions of language, photography, moving image, installation and display. | |
| 650 | 0 |
_aConceptual art _zUnited States. _93210 |
|
| 650 | 0 |
_aArt _xPolitical aspects _zUnited States. _93211 |
|
| 650 | 7 |
_aArt _xPolitical aspects. _2fast _0(OCoLC)fst00815309 _93212 |
|
| 650 | 7 |
_aConceptual art. _2fast _0(OCoLC)fst00872980 _93213 |
|
| 651 | 7 |
_aUnited States. _2fast _0(OCoLC)fst01204155 _9316 |
|
| 830 | 0 |
_aRethinking art's histories. _93214 |
|
| 906 |
_a7 _bcbc _ccopycat _d2 _encip _f20 _gy-gencatlg |
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| 942 |
_2ddc _cBK _e23 _h709.04075 S527S |
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