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003 LDD
005 20190326120520.0
008 170822t20172017enka b 001 0 eng d
010 _a 2016439969
020 _a9781784992750
_q(hardback)
020 _a1784992755
_q(hardback)
020 _a9781784992767
_q(paperback)
020 _a1784992763
_q(paperback)
035 _a(OCoLC)ocn974858702
040 _aERASA
_beng
_cERASA
_erda
_dOCLCO
_dCDX
_dYDX
_dOCLCF
_dDLC
042 _alccopycat
043 _an-us---
050 0 0 _aN6512.5.C64
_bS53 2017
082 0 4 _a709.04075 S527S
_223
100 1 _aShaked, Nizan,
_eauthor.
_93209
245 1 4 _aThe synthetic proposition :
_bconceptualism and the political referent in contemporary art /
_cNizan Shaked.
264 1 _aManchester :
_bManchester University Press,
_c[2017]
264 4 _c©2017
300 _axiii, 266 pages :
_billustrations (chiefly color) ;
_c24 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 1 _aRethinking Art's Histories
504 _aIncludes bibliographical references (pages 242-259) and index.
520 8 _aThe synthetic proposition examines the impact of Civil Rights, Black Power, the student, feminist and sexual-liberty movements on conceptualism and its legacies in the United States between the late 1960s and the 1990s. It focuses on the turn to political reference in practices originally concerned with abstract ideas, as articulated by Joseph Kosuth, and traces key strategies in contemporary art to the reciprocal influences of conceptualism and identity politics: movements that have so far been historicised as mutually exclusive. The book demonstrates that while identity-based strategies were particular, their impact spread far beyond the individuals or communities that originated them. It offers a study of Adrian Piper, David Hammons, Renee Green, Mary Kelly, Martha Rosler, Silvia Kolbowski, Daniel Joseph Martinez, Lorna Simpson, Hans Haacke, Andrea Fraser and Charles Gaines. By turning to social issues, these artists analysed the conventions of language, photography, moving image, installation and display.
650 0 _aConceptual art
_zUnited States.
_93210
650 0 _aArt
_xPolitical aspects
_zUnited States.
_93211
650 7 _aArt
_xPolitical aspects.
_2fast
_0(OCoLC)fst00815309
_93212
650 7 _aConceptual art.
_2fast
_0(OCoLC)fst00872980
_93213
651 7 _aUnited States.
_2fast
_0(OCoLC)fst01204155
_9316
830 0 _aRethinking art's histories.
_93214
906 _a7
_bcbc
_ccopycat
_d2
_encip
_f20
_gy-gencatlg
942 _2ddc
_cBK
_e23
_h709.04075 S527S