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999 _c127250
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001 20155307
003 LDD
005 20181126143143.0
008 170912s2017 ii a b 001 0 eng d
010 _a 2017347008
020 _a9789385285820
020 _a9385285823
025 _aI-E-2017347008
035 _a(OCoLC)on1004659376
035 _a(OCoLC)1004659376
037 _bLibrary of Congress -- New Delhi Overseas Office
040 _aEYM
_beng
_cEYM
_dDKAGE
_dOCLCF
_dBP1
_dOCLCO
_erda
_dDLC
042 _alccopycat
_alcode
043 _aa-ii---
050 0 0 _aND1010.3.M36
_bM36 2017
082 0 4 _a759.954 G699M
_223
100 1 _aGoswamy, B. N.
_d1933-
_eauthor.
_9187
245 1 0 _aManaku of Guler :
_bthe life and work of another great Indian painter from a small hill state /
_cB.N. Goswamy.
264 1 _aNew Delhi :
_bArtibus Asiae Publishers [with] Niyogi Books
_c[2017]
300 _a512 pages :
_billustrations (color and black and white) ;
_c32 cm.
336 _atext
_btxt
_2rdacontent
336 _astill image
_bsti
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 0 _aArtibus Asiae. Supplementum ;
_v52
500 _a"Museum Rietberg Zurich in collaboration with the Government Museum and Art Gallery, Chandigarh."
504 _aIncludes bibliographical references (pages 509-511).
520 8 _aThis work centers upon Manaku of Guler, older brother of the greatly celebrated Nainsukh, reconstructing whatever little is known of his life, but following closely his artistic journey; Manaku came from an obscure little town in the hills of northern India home to his singularly talented family, and yet his vision knew almost no limits; Endowed with soaring imagination and great painterly skills, this man with a name that literally means a ruby, that stone of fame and mystique, whose glow keeps hinting at an inner fire was capable of painting giant rings of time upon timeless waters, envisioning the world of gods and demons, littered with cosmic battles and earthly triumphs, but also gazing, with tender eyes, upon the world of two lovers in which there is tortured loneliness at one moment but, in the next, her garlands fall on his chest and glisten like white cranes on a dark cloud; At least three great series were painted by Manaku: The Siege of Lanka which took forward the narrative of the Ramayana from the point where his father, the gifted Pandit Seu, had left it; The Gita Govinda Jayadeva's immortal 12th century Sanskrit lyric, which he completed in 1730; And the Bhagavata Purana, that remarkably extensive text, revered and recited by millions to this day, which he set about to negotiate with his brush in ca. 1740-45; every single folio that has survived and is at present accessible the number comes close to five hundred from these series finds a place in this uncommonly rich volume; for the second time -- Nainsukh of Guler was the first -- Professor Goswamy looks here at the entire body of work of a great Indian artist from the past through eyes filled with curiosity and warmth.
600 0 0 _aManaku,
_dapproximately 1700-approximately 1760.
_9232
650 0 _aPainters
_zIndia
_xHistory
_y18th century
_vBiography.
_9189
650 0 _aGuler painting.
_9191
700 0 2 _aManaku,
_dapproximately 1700-approximately 1760.
_tPaintings.
_kSelections.
_9233
710 2 _aMuseum Rietberg,
_eissuing body.
_9234
710 2 _aGovernment Museum and Art Gallery, Chandigarh,
_eissuing body.
_9169
906 _a7
_bcbc
_ccopycat
_d3
_encip
_f20
_gy-gencatlg
942 _2ddc
_cBK
_h759.954 G699M